- Mark the raw-pointer interop entry points unsafe with # Safety docs
(oak-core upload/download/frame-from-pixels, oak-audio convert) and
satisfy the existing callers (tests).
- mut_from_ref: allow with the ABI contract documented (the handle
get_mut helpers in oak-timeline/oak-render/oak-task take the shared
reference the C ABI passes; exclusivity is the caller's unsafe
contract).
- Fix the eq_op in the white-balance normalization (green / green).
- Apply cargo clippy --fix across the workspace (redundant closures and
field names, field reassignment, items after test modules, ...).
- Revert the replace_box fix in image_effect's clip_define: a
redefinition must allocate a new box, otherwise the old clip handle
stays valid and the HS-map replace contract (clip != clip2) breaks.
- 283 warnings remain; they are all non-machine-applicable
(chunks_exact -> as_chunks needs a manual iter_mut, too_many_arguments,
complex types, missing Safety docs, ...) and are tracked as the
follow-up.
- available_range declared a zero duration for every clip (the media
was 'unusable', so Resolve invalidated all of them): it now covers
the whole media - video clips in the probed frame rate, audio clips
in the probed sample rate (no more hardcoded 48000/0).
- Gap ranges mixed time bases (a 24 fps block start, a 1.0 trailing
duration): gaps now stay in the sequence's time base, the trailing
pad in whole frames.
- Empty sequences (no clips) are skipped, so a lone edited sequence
exports as a bare Timeline root instead of a SerializableCollection
Resolve cannot read.
- FCPXML: an asset used on both video and audio tracks now declares
hasVideo AND hasAudio (the first registration's track kind used to
hide the other stream); asset durations recover with available_range.
Two export killers fixed and the feature surfaced properly:
- TicketArena::allocate() reaps finished fire-and-forget slots on every
new submit, but RenderTask classified finished tickets by asking the
arena for their kind/time afterwards - any ticket that completed
before the next submit (all of them on the inline backend) failed
with 'Render ticket reported an unexpected timestamp' and the export
died after writing a header-only file. RenderTask now records each
ticket's delivery key at submit time instead.
- File > Export becomes 导出序列 (all 8 locales): the dialog offers a
sequence picker (any sequence in the project, the current one
preselected) instead of silently exporting the current one, and the
project bin's sequence context menu gains 导出序列 opening the same
dialog. Engines expose sequence_entries / current_sequence_id /
start_export_of.
- The export-project dialog drops its dead hand-typed path field (OK
already asked the platform save dialog).
- New end-to-end test: a one-second sequence exports to a real
H.264/AAC MP4 that probes and decodes back to the clip's content.
All crates take the oak-* kebab-case naming (oak-audio, oak-codec,
oak-common, oak-core, oak-ffmpeg-link, oak-node, oak-otio, oak-plugin,
oak-render, oak-storage, oak-task, oak-timeline, oak-undo), with the
lib identifiers rewritten (oakrender:: -> oak_render::, oakcore_rs:: ->
oak_core::, ...) across all 226 referencing files.
The GUI application moves from the workspace root into
crates/oak-app/: src/, build.rs (paths fixed for the new location) and
tests/ travel with it, the root Cargo.toml becomes workspace-only
([workspace] + workspace.package + profiles), and the app package
inherits the workspace version. The screenshots example becomes a
standalone crate examples/simple_player/ with its own Cargo.toml.
Every crate now inherits the single workspace version
(version.workspace = true), and the workflows' crate paths and the
build docs follow the renames.
Validated with a clean cargo check --workspace.
Mike-Solar